California Bach Society is a Palo Alto based chamber choir specializing in renaissance and baroque choral music, this season performing works by Purcell, Handel, Rosenmüller, Buxtehude, Brahms, Schütz, and Bach. We perform four concerts each year in San Francisco, Berkeley, and the Peninsula.
40th Anniversary Season
2010 - 2011 Doors open 30 minutes before each performance.
Tickets may be purchased online, by phone, or at the door.
* Please note that some venues may be different than previous years. *
Hail! Bright Cecilia / Acis and Galatea
Fri, Oct 22, 2010, 8pm at St. Mark's Lutheran Church in San Francisco
Sat, Oct 23, 2010, 8pm at *St. Patrick's Seminary* in *Menlo Park*
Sun, Oct 24, 2010, 4pm at *St. John's Presbyterian Church* in Berkeley
Our 40th season opens with the festive music of Henry Purcell and George Frideric Handel. Purcell pays homage to St. Cecilia, the patron saint of music, with his glorious Hail! Bright Cecilia, written in 1692. We pair this masterwork with Handel's Acis and Galatea, an oft-performed work of the early 1700s. Bay Area tenor Brian Thorsett and soprano Ann Moss portray the lovers, and bass Jeffrey Fields, the comical one-eyed giant Polyphemus. A Baroque string orchestra with flutes, oboes, timpani, and trumpets accompanies the chorus.
Weihnachtshistorie
Fri, Dec 3, 2010, 8pm at *First Unitarian Church* in San Francisco
Sat, Dec 4, 2010, 8pm at All Saints' Episcopal Church in Palo Alto
Sun, Dec 5, 2010, 4pm at St. Mark's Episcopal Church in Berkeley
In December, the holiday season comes alive with the radiance and grace of Johann Rosenmüller's Weihnachtshistorie (Christmas Story). This splendid program brings together selections of sacred choral music for the Nativity from 17th century Leipzig, following the example of acclaimed German director, lutenist, and early music specialist Conrad Junghänel. Paul Flight is thrilled to bring Rosenmüller's rarely performed compositions to Bay Area audiences. We are delighted to feature Stephen Escher, cornetto virtuoso of The Whole Noyse.
Membra Jesu Nostri
Fri, Mar 4, 2011, 8pm at St. Mark's Lutheran Church in San Francisco
Sat, Mar 5, 2011, 8pm at All Saints' Episcopal Church in Palo Alto
Sun, Mar 6, 2011, 4pm at St. Mark's Episcopal Church in Berkeley
Dietrich Buxtehude's Membra Jesu Nostri (1680) is a set of seven short cantatas for Holy Week, its text attributed to medieval poet Arnulf of Louvain. It is a cycle of mystical contemplations on the body of the crucified Christ - the feet, knees, hands, side, chest, heart, and face. The cantatas are composed of concerti, solos and trios, and exquisite choral sections. Although rarely performed, Buxtehude's work is one of the most expressive and poignant vocal pieces of the Baroque Period.
Brahms, Schütz, and Hassler
Fri, April 29, 2011, 8pm at St. Mark's Lutheran Church in San Francisco
Sat, April 30, 2011, 8pm at All Saints' Episcopal Church in Palo Alto
Sun, May 1, 2011, 4pm at St. Mark's Episcopal Church in Berkeley
Our final program showcases the beautiful motets and partsongs of Johannes Brahms and his musical forebears Bach, Schütz, Schein, and Hassler. Schütz's polychoral compositions inspired Brahms' celebratory motets of Fest und Gedenksprüche, opus 109. Brahms' lovely Schaffe in mir, Gott displays imitative polyphony and canonic writing reminiscent of Schütz's Selig sind die Toten and Schein's Die mit Tränen säen. Brahms' love of German folk music and poetry shines through his partsongs Der bucklichte Fiedler, Dein Herzlein mild, and In stiller Nacht.
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